Bibliography

Collections Care / Preservation

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  • American Library Association, Local History Committee of the History Section, Reference and Adult Services Association. (2012). RUSA guidelines for establishing local history collections. Retrieved July 10, 2014, from: http://www.ala.org/rusa/resources/guidelines/guidelinesestablishing
  • Archives Association of British Columbia. (1999). A Manual for Small Archives. Retrieved from: http://aabc.ca/media/6069/manualforsmallarchives.pdf
  • Artim, N. (1993). Cultural heritage fire suppression systems: Alternatives to Halon 1301. WAAC Newsletter, 15(2), 34-36. Retrieved from: http://cool.conservation-us.org/waac/wn/wn15/wn15-2/wn15-209.html
  • Baker, C.A. & Silverman, R. (2005). Misperceptions about white gloves. International Preservation News: a Newsletter of the IFLA Core Activity on Preservation and Conservation, 37, 4-9. Retrieved from: www.ifla.org/files/assets/pac/ipn/ipnn37.pdf‎
  • Blake, J.C., Schleper, S. P. (2004). From data to decisions: Using surveys and statistics to make collection management decisions. Library Collections, Acquisitions, & Technical Services, 28(4), 460-4.
  • Boles, F. (1981). Sampling in archives. American Archivist, 44(2), 125-130. Retrieved from: http://archivists.metapress.com/content/a5458p2p62873437/fulltext.pdf
  • Bradsher, J. & Ambacher, B. (1992). Archival sampling: A method of appraisal and a means of retention. Mid Atlantic Regional Archives Conference (MARAC) Technical Leaflet Series, 8. Retrieved from: http://www.marac.info/assets/documents/marac_technical_leaflet_8.pdf
  • Bressor, J.P. (1990). Caring for historical records: Workshop curriculum and resource materials. Storrs, CT: Historical Manuscripts & Archives, University of Connecticut.
  • Brown, K. (2005, April). Use of general preservation assessments process. Library Resources and Technical Services (LRTS), 49(2), April 2005: 90-106.
  • Brown, K.E.K. (2006, Jan.). Use of general preservation assessment outputs. Library Resources and Technical Services (LRTS), 50(1), Jan 2006: 58-72.
  • Buchanan, S., & Coleman, S. (1987). Deterioration survey of the Stanford University Libraries Green Library Stack Collection. In P. Darling (Comp.) & Wesley Boomgaarden (Rev. Ed.), Preservation Planning Program Resource Notebook. Washington, DC: Assn. of Research Libraries, Office of Management Studies.
  • Cassar, M. (1995). Environmental management: Guidelines for museums and galleries. London, England: Routledge.
  • Child, M. (1994). Preservation assessment and planning. In Preservation of Library and Archival Materials: A manual. Andover, MA: Northeast Document Conservation Center, 1994. Retrieved July 30, 2014 from: http://www.nedcc.org/free-resources/preservation-leaflets/1.-planning-and-prioritizing/1.2-preservation-assessment-and-planning
  • Conn, D. (2012). Environment: Protection from light damage. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/2.-the-environment/2.4-protection-from-light-damage
  • Conservation Center for Art and Historic Artifacts. (n.d.) Disaster Recovery: Salvaging Books. Retrieved from: http://www.ccaha.org/uploads/media_items/technical-bulletin-salvaging-books.original.pdf
  • Dean, D. (1994). Museum exhibition: Theory and practice. London, England: Routledge.
  • Drott, M.C. (1969). Random sampling: a tool for library research. College and Research Libraries, 30(2), 119-125.
  • Druzik, J.R. & Michalski, S.W. (2011). Guidelines for selecting solid-state lighting for museums. Retrieved from: http://www.connectingtocollections.org/wp-content/uploads/2011/08/SSL-Guidelines-Ver.-10.0.pdf
  • Forde, H. & Rhys-Lewis, J. (2013). Preserving archives. London, England: Facet Publishing.
  • Forde, H., Rhys-Lewis, J. (2013). Preserving archives (2nd ed.). London, England: Facet Publishing.
  • Handman, G. P. (2002). The rights stuff: Video copyright and collection development. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 287-305). Westport, CT: Greenwood Press.
  • Harden, J.J. (2001). Saving the past for the future! Deciding what to save, part 2: Preserving what is saved. Colorado Libraries, 29(3), 44-46.
  • Harden, J.J. (2001). Saving the past for the future! Part 1: Deciding what to save for a local history collection. Colorado Libraries, 27(4), 43-44.
  • Harris, C. (2000). Selection for Preservation. In P.N. Banks & R. Pilette (Eds.), Preservation: Issues and planning (206-224). Chicago, IL: American Library Association.
  • Hatchfield, P. & Carpenter, J. (1987). Formaldehyde: How great is the danger to museum collections? Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museums.
  • Hatchfield, P. (2002). Pollutants in the museum environment: Practical strategies for problem solving in design, exhibition and storage. London, England: Archetype Publications.
  • Heritage Preservation, and Heritage Emergency National Task Force. (2011) (2006). Field guide to emergency response. Washington, DC: Heritage Preservation.
  • Heritage Preservation. (1998). Capitalize on collections care to increase support, generate contributions and donations, increase membership and support, and stimulate earned income. Washington, DC: Heritage Preservation.
  • Heritage Preservation. (2005). A public trust at risk: The heritage health index report on the state of America's collections. Washington, DC: Heritage Preservation. Retrieved from: https://www.imls.gov/sites/default/files/publications/documents/hhifull_0.pdf
  • Higgenbotham, B. B. (2001). The library building manager. In The Preservation Program Blueprint. Chicago, IL: American Library Association.
  • International Federation of Library Associations, Institutions Section on Acquisitions and Collection Development. (2001). Guidelines for a collection development policy using the conspectus model. Retrieved July 30, 2014 from: http://www.ifla.org/files/assets/acquisition-collection-development/publications/gcdp-en.pdf
  • Johnson, T., Meador-Woodruff, R., & Segal, T. (2010). 5E: Marking. In R.A. Buck, & J.A. Gilmore (Eds.), Museum Registration Methods 5th Edition (5, pp. 233-248). Washington, DC: AAM Press, American Association of Museums.
  • Library of Congress. (n.d.). Collection development and policies. Retrieved July 30, 2014 from: http://www.loc.gov/acq/devpol/
  • Library of Congress. (n.d.). Emergency Preparedness. Retrieved from: http://www.loc.gov/preservation/emergprep/
  • Michalski, S. (n.d.) Agent of deterioration: Light, ultraviolet and infrared. Canadian Conservation Institute. Retrieved from: http://canada.pch.gc.ca/eng/1444925073140
  • National Preservation Office. (n.d.). Guidance for exhibiting archive and library materials. Retrieved from: http://www.collectionstrust.org.uk/media/documents/c1/a104/f6/000504.pdf
  • Nicholson, C. (1992). What exhibits can do to your collection. Restaurator, 13(3), 95–113.
  • Ogden, S. (1994). The needs assessment survey. In Preservation of Library and Archival Materials: A manual. Andover, MA: Northeast Document Conservation Center. Retrieved July 30, 2014 from: http://www.nedcc.org/free-resources/preservation-leaflets/1.-planning-and-prioritizing/1.3-the-needs-assessment-survey
  • Ogden, S. (1997). Preservation planning: guidelines for writing a long-range plan. Washington, DC: American Association of Museums and Northeast Document Conservation Center.
  • Patkus, B. (2003). Assessing preservation needs. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://nedcc.org/assets/media/documents/apnssg.pdf
  • Pearce-Moses, R. (2012). Glossary of archival and records terminology. Society of American Archivists (SAA). Retrieved from: http://www2.archivists.org/glossary/
  • Reitz, J.M. (2007). ODLIS: Online dictionary for library and information science. Retrieved from: http://www.abc-clio.com/ODLIS/odlis_A.aspx
  • Ritzenthaler, M. L. (1983). Archives & manuscripts: Conservation, a manual on physical care and management. Chicago, IL: Society of American Archivists (SAA Basic Manual Series).
  • Sheehan, P. (1990). A condition survey of books in Trinity College Library Dublin. Libri, 40(4), 306-17.
  • Simmons, J.E. (2006). Things great and small: Collections management policies. Washington, DC: American Association of Museums.
  • Stewart, E., & Banks, P.N. (2000). Preservation information in nonpaper formats. In P.N. Banks & R. Pilette (Eds.), Preservation: Issues and planning (323-342). Chicago IL: American Library Association.
  • Tremain, D. (n.d.) Security. Canadian Conservation Institute. Retrieved from: http://canada.pch.gc.ca/eng/1444924484339
  • U.S. Copyright Office. (2008). Copyright basics. Washington, DC: U.S. Copyright Office. Retrieved from: http://www.copyright.gov/circs/circ01.pdf
  • Walker, G. (1985, March). The Yale survey: A large-scale study of book deterioration in the Yale University Library. College and Research Libraries, 46(March 1985): 111-132.

Audiovisual (General)

  • Adelstein, P. Z. (2004). Media storage quick reference: Negatives, prints, tapes, CDs & DVDs. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/301
  • Bigourdan, J.L., Reilly, J. M., Santoro, K., Salesin, G. (2006, December 22). The preservation of magnetic tape collections: A perspective. Final report to National Endowment for the Humanities Division of Preservation and Access (NEH GRANT # PA-50123-03). Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/303
  • Boles, F., Young, J. M. (2000). Exploring the black box: The appraisal of university administrative records. In Randall C. Jimerson (Ed.), American archival studies: Readings in theory and practice (pp. 279-300). Chicago, IL: Society of American Archivists.
  • Brothers, P. (2006). Hurricane & flood recovery advice: Magnetic tapes can survive flood exposure. SpecsBrothers. Retrieved from: http://www.specsbros.com/disaster-recovery-magnetic-tapes-can-survive-flood-exposure.html
  • Casey, M. (2007). FACET: Format characteristics and preservation problems. Bloomington, IN: Indiana University. Retrieved from: http://www.dlib.indiana.edu/projects/sounddirections/facet/facet_formats.pdf
  • Castelli, D. (2006). Digital libraries of the future - and the role of libraries. Library Hi Tech, 24(4), 496-503.
  • DeCandido, R. (1995). Statistical methodologies for preservation. New Library Scene 14, 9-10.
  • De Stefano, P. (2000). Digitization for preservation and access. In Paul N. Banks & Roberta Pilette (Eds.), Preservation: Issues and planning (pp. 307-322). Chicago, IL: American Library Association.
  • Drott, M. C. (1969). Random sampling: A tool for library research. College and Research Libraries, 30(2), 119-125.
  • Evans, B. (1993). The Duke Library Project: Using an item-by-item assessment to develop a conservation programme. The Paper Conservator 17, 39-44.
  • Ferullo, D. L. (2004). Major copyright issues in academic libraries: Legal implications of a digital environment. Journal of Library Administration, 40(1), 23-40.
  • Field, T. G. Jr. (2008). Copyright in visual arts. Concord, NH: Franklin Pierce Law Center. Retrieved from: http://scholars.unh.edu/law_facpub/220/
  • Floray, S. P., Horton, T., Knapp, T., Pasiuk, J., Vogt-OíConnor, D. (2003). Handling and shipping cellulose nitrate film. Conserve O Gram, 2/20. Washington, DC: National Park Service. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/02-20.pdf
  • Gasaway, L. (1983, July). Audiovisual materials and copyright in special libraries. Special Libraries, 74, 222-39.
  • Gertz, J. (2000, April). Selection for preservation in the digital age: An overview. Library Resources & Technical Services, 44, 97-104.
  • Getty Research Institute. Data standards and guidelines. J. Paul Getty Trust. Retrieved from: http://www.getty.edu/research/conducting_research/standards/
  • Gibson, G. D. (1987). Decay and degradation of disk and cylinder recordings in storage. In Eva Orbanz (Ed.), Archiving the audio visual heritage: A joint technical symposium (pp. 47-53). Berlin, Germany: Stiftung Deutsche Kinemathek.
  • Gilliland-Swetland, A. J. (2000). Enduring paradigm, new opportunities: The value of the archival perspective in the digital environment. Washington, DC: Council on Library and Information Resources.
  • Green, Paul. (2003). A method for undertaking a full conservation audit of special collections of books and manuscripts. Collection Management, 28(4), 23-41.
  • Guidelines for off-air taping for educational purposes (Kastenmeier guidelines). (1984, October 14). Congressional Record. UC Berkeley Library. Retrieved from: http://www.lib.berkeley.edu/MRC/Kastenmeier.html
  • Hernon, P. & McClure, C. R. (1990). Sampling. Evaluation and library decision making (pp. 104-117). Norwood, NJ: Ablex.
  • Hillmann, D. I. (2005, November 7). Using Dublin Core. Retrieved from: http://dublincore.org/documents/2005/11/07/usageguide/
  • Hoon, P. (2007). Know your copy rights: What you can do. Association of Research Libraries. Retrieved from: http://www.knowyourcopyrights.org/storage/documents/kycrbrochure.pdf
  • Howe, T. (1995). CED Magic - the RCA SelectaVision VideoDisc web site. Retrieved from: http://www.cedmagic.com/selectavision.html
  • Hunter, G. S. (2003). Developing and maintaining practical archives. How-to-do-it manuals for librarians (2nd ed.) (Vol. 122). New York, NY: Neal-Schuman.
  • Ide, M. & Weisse, L. (2003). Developing preservation appraisal criteria for a public broadcasting station. The Moving Image, 3(1), 146-57.
  • Iraci, J. (2002). Disaster recovery of modern information carriers: Compact discs, magnetic tapes and magnetic discs. Technical Bulletin (No. 25). Ottawa, ON, Canada: Canadian Conservation Institute.
  • Iraci, J. (2005). Remedies for deteriorated or damaged modern information carriers. Technical Bulletin (No. 27). Ottawa, ON, Canada: Canadian Conservation Institute.
  • ISO. (2000). ISO 18923 Imaging materials– Polyester-base magnetic tape– Storage practices. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2002). 18925 Imaging materials– Optical disc media– Storage practices. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2006). 18933 Imaging materials– Magnetic tape– Care. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2006). 18934 Imaging materials– Multiple media archives– Storage environment, 1st ed. Geneva, Switzerland: International Organization for Standardization.
  • Jantz, R. & Giarlo, M. J. (2005). Digital preservation: Architecture and technology for trusted digital repositories. D-Lib Magazine, 11(6). Retrieved from: http://www.dlib.org/dlib/june05/jantz/06jantz.html
  • Kahn, M. B. (2004). Protecting your library's digital sources. Chicago, IL: American Library Association.
  • King, G. (n.d.). Magnetic wire recordings: A manual including historical background, approaches to transfer and storage, and solutions to common problems. University of Washington Ethnomusicology Archives. Retrieved from: https://music.washington.edu/magnetic-wire-recordings
  • Lawrence, G. W., & Council on Library and Information Resources. (2000). Risk management of digital information: A file format investigation. Washington, DC: Council on Library and Information Resources.
  • Library of Congress. (n.d.). Care, handling, and storage of audio visual materials. Retrieved from: http://www.loc.gov/preservation/care/record.html
  • Manoff, M. (2006). The materiality of digital collections: Theoretical and historical perspectives. Libraries and the Academy, 6(3), 311-27.
  • Miliano, M. & International Association of Sound and Audiovisual Archives (IASA) Editorial Group. (1999). The IASA cataloguing rules: A manual for the description of sound recordings and related audiovisual media. Stockholm; Baden-Baden: International Association of Sound and Audiovisual Archives. Retrieved from: http://www.iasa-web.org/cataloguing-rules
  • MiniDisc.org (n.d.). The MiniDisc community portal. Retrieved from: http://www.minidisc.org/index.php
  • National Archives and Records Administration. (n.d.). Frequently asked questions (FAQs) about optical storage media: Storing temporary records on CDs and DVDs. Records Management Resources. Retrieved from: https://www.archives.gov/records-mgmt/initiatives/erm-guidance.html
  • National Film and Sound Archive. (2008). Technical glossary of common audiovisual terms. Retrieved from: http://nfsa.gov.au/preservation/glossary/
  • National Information Standards Organization (NISO). (2004). Understanding metadata. Bethesda, MD: NISO Press. Retrieved from: http://www.niso.org/standards/resources/UnderstandingMetadata.pdf
  • National Information Standards Organization (NISO). (2007). A framework of guidance for building good digital collections. Retrieved from: http://framework.niso.org/
  • National Initiative for a Networked Cultural Heritage (NINCH). (2002). The NINCH guide to good practice in the digital representation and management of cultural heritage materials. Retrieved from: www.nyu.edu/its/humanities//ninchguide/
  • Nebraska State Historical Society. (n.d.). Glossary of terms. Saving Nebraska's treasures. Retrieved from: http://www.nebraskahistory.org/conserve/treasures/glossary.htm
  • Paton, C. A. (1997). A review and discussion of selected acetate disc cleaning methods: Anecdotal, experiential and investigative findings. ARSC Journal, 28, 2-23.
  • Pennavaria, K. (2002, Spring). Film, CD and audio/video tape preservation: A serious problem for libraries. Kentucky Libraries, 66(2), 14-17.
  • Rauch, C., Pavuza, F., Strodl, S., & Rauber, A. (2005, May 11-13). Evaluating preservation strategies for audio and video files. Paper presented at the DELOS Workshop on Digital Repositories: Interoperability and Common Services, Heraklion, Greece. Retrieved from: http://www.ifs.tuwien.ac.at/~strodl/paper/rau_digrep05.pdf
  • Reilly, J. M. (1993). IPI storage guide for acetate film. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: http://www.imagepermanenceinstitute.org/shtml_sub/acetguid.pdf
  • Rosenthal, D. S.H., Robertson, T., Lipkis, T., Reich, V., & Morabito, S. (2005, November). Requirements for digital preservation systems. D-Lib Magazine, 11(11). Retrieved from: http://www.dlib.org/dlib/november05/rosenthal/11rosenthal.html
  • Rubin, N. (2007, May 14). Everything old can be new again. Current. Retrieved from: http://current.org/files/archive-site/dtv/dtv0708preservation.shtml
  • Schroeder, D. & Lare, G. (1979). Audiovisual equipment and materials: A basic repair and maintenance manual. Metuchen, NJ: Scarecrow Press.
  • Schroeder, D. & Lare, G. (1989). Audiovisual equipment and materials: A basic repair and maintenance manual (Vol. 2). Metuchen, NJ: Scarecrow Press.
  • Schuller, D. (2008, February). Audio and video carriers: Recording principles, storage and handling, maintenance of equipment, format and equipment obsolescence. Amsterdam: Training for Audiovisual Preservation in Europe (TAPE). Retrieved from: http://www.tape-online.net/docs/audio_and_video_carriers.pdf
  • Smolian, S. (2005, September 18). Disaster recovery planning. Message posted to ARSCLIST. Retrieved from: http://palimpsest.stanford.edu/byform/mailing-lists/arsclist/2005/09/msg00236.html
  • Talab, R. S. (1999). Commonsense copyright: A guide for educators and librarians (2nd ed.). Jefferson, NC: McFarland & Company.
  • Tillet, B. (2004). What is FRBR? A conceptual model for the bibliographic universe. Washington, DC: Library of Congress Cataloging Distribution Service. Retrieved from: http://www.loc.gov/cds/downloads/FRBR.PDF
  • U.S. Copyright Office. (2009). Rulemaking on exemptions from prohibition on circumvention of technological measures that control access to copyrighted works. Washington, DC: U.S. Copyright Office. Retrieved from: http://www.copyright.gov/1201/
  • Van Bogart, J. W. C. (1995, June). Magnetic tape storage and handling: A guide for libraries and archives. Washington, D.C.: The Commission on Preservation and Access; St. Paul, MN: National Media Laboratory. Retrieved from: http://www.clir.org/pubs/reports/pub54/index.html
  • VidiPax. (2007). Digitization reconsidered. Retrieved from: http://cool.conservation-us.org/byauth/lindner/digirecon.html
  • Walker, R. G., Greenfield, J., & Fox, J. (1985, March). The Yale survey: A large-scale study of book deterioration in the Yale university library. College and Research Libraries, 46(2), 111-132.
  • Weig, E., Terry, K., & Lybarger, K. (2007, May/June). Large scale digitization of oral history: A case study. D-Lib Magazine 13(5-6). Retrieved from: http://www.dlib.org/dlib/may07/weig/05weig.html

Recorded Sound

  • Allen, D. R. (2003). State of recorded sound: Survey of surveys. Report prepared by the Communications Office, Inc. for the Council on Library and Information Resources.
  • Baldwin, D. A. (2004, Fall). Toward an appraisal model for audio materials in regional archives and historical societies. ARSC Journal, 35(2), 179-96.
  • Beggs, J., Thede, D. (2001). The science of sound and digital audio. Designing Web Audio. Sebastopol, CA: O'Reilly & Associates. Retrieved from: http://docstore.mik.ua/orelly/web2/audio/ch02_01.htm
  • Blood, G. (2002, August 23). Planning an audio preservation transfer project. Paper presented at the annual meeting of the Society of American Archivists, Birmingham, AL. Retrieved April 10, 2009, from: http://www.safesoundarchive.com/papers.cfm (unavailable as of 7/19/10)
  • Bolnick, D., Johnson, B. (1989, November 15). Audiocassette repair. Library Journal, 114(19), 43-46.
  • Bradley, K. (2006). Risks associated with the use of recordable CDs and DVDs as reliable storage media in archival collections - Strategies and alternatives. Paris, France: UNESCO.
  • Breaden, I. C. (2006). Sound practices: On-line audio exhibits and the cultural heritage archive. American Archivist, 69, 33-59.
  • Brylawski, S. (2002, April). Preservation of digitally recorded sound. Building a national strategy for digital preservation: Issues in digital media archiving (pp. 52-66). Washington, DC: Council on Library and Information Resources and Library of Congress.
  • CDP Digital Audio Working Group. (2006, October). Digital audio best practices: Version 2.1. Aurora, CO: BCR.
  • Colburn, S. (n.d.). Introduction to digital audio: A basic overview of digital audio. ProSoundWeb. Retrieved from: http://www.prosoundweb.com/recording/tapeop/intro-digital/dg2.php
  • Edmondson, R. (2004). Audiovisual archiving: Philosophy and principles. Paper presented at United Nations Educational, Scientific and Cultural Organization, Paris, France. Retrieved from http://unesdoc.unesco.org/images/0013/001364/136477e.pdf
  • Farrington, J. (1991). Preventive maintenance for audio discs and tapes. Notes, 48(2), 437-445.
  • Frost, H. (2003, July 24-26). Surveying sound recording collections. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
  • Gasaway, L. (2001, Fall). Copyright and sound recordings: Overview and update. ARSC Journal, 32(2), 217-31.
  • Grimstad, M. (2004, April/June). The Digital Radio Archives (DRA) at the Norwegian Broadcasting Corporation. Fontes Artis Musicae, 51(2), 169-72.
  • Griscom, R. (2003, March). Distant music: Delivering audio over the internet. Notes, 59(3), 521-541.
  • Harper, G. K. (2003, July 24-26). Copyright law and audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
  • Hess, R. (2008). Tape degradation factors and challenges in predicting tape life. ARSC (Association for Recorded Sound Collections) Journal, 39(2), 240-274. Retrieved from: http://www.richardhess.com/tape/history/HESS_Tape_Degradation_ARSC_Journal_39-2.pdf
  • Holzberlein, D. with the assistance of Jones, D. (1988). Cataloging sound recordings: A manual with examples. New York, NY: Haworth Press.
  • Miller, K. (2003, July 24-26). The case for audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007c). Sound: Format descriptions for sound. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/fdd/sound_fdd.shtml
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007d). Sound: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/sound_preferences.shtml
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007e). Sound: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from: http://www.digitalpreservation.gov/formats/content/sound_quality.shtml
  • Paton, C. A. (1998, Spring). Preservation re-recording of audio recordings in archives: Problems, priorities, technologies, and recommendations. American Archivist, 61, 519-546.
  • Philips Electronics N.V. (1996). Digital Compact Cassette. Philips Sound & Vision.
  • Seadle, M. (1999). Preserving the spoken word: Six issues in search of a digital solution. Library Hi Tech, 17(3), 230-232.
  • Seubert, D. (2004, August 2-8). Guide to standards and recommended practices. Recorded sound roundtable meeting, annual meeting of the Society of American Archivists, Boston, MA.
  • Stauderman, S. (2003, July 24-26). Pictorial guide to sound recording media. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
  • Warren, R. Jr. (1994). Handling of sound recordings.ARSC Journal, 25(2), 139-162.
  • Warren, R. Jr. (1993). Storage of sound recordings.ARSC Journal, 24(2), 130-158.

Moving Image

  • Bay Area Video Coalition. (2009). Preservation glossary. Retrieved from: https://www.bavc.org/preserve-media
  • Becker, S. (2007). See and save: Balancing access and preservation for ephemeral moving images. Spectator - The University of Southern California Journal of Film and Television, 27(1), 21-28.
  • Besser, H. (2001). Digital preservation of moving image material? The Moving Image. Retrieved from: http://besser.tsoa.nyu.edu/howard/Papers/amia-longevity.html
  • Bigourdan, J.-L. (n.d.). Vinegar syndrome: An action plan. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/308
  • Bigourdan, J.-L., Coffey, L., & Swanson, D. (n.d.).The home film preservation guide. Retrieved from: http://www.filmforever.org/
  • Bosley, R. K. (2001, November). Second chances. American Cinematographer, 82(11), 99-110.
  • Boyle, D. (1993). Video preservation: Securing the future of the past. New York, NY: Media Alliance.
  • Bromberg, N., Palin, H., & Burke, L. (2004). Washington state film preservation manual: Low-cost and no-cost suggestions to care for your film. Washington Preservation Initiative and the University of Washington Libraries, Special Collections Division.
  • Clark, J. (2002). Preserving the image: Video preservation. In Gary Handman (Ed.), Video collection development in multi-type libraries: A handbook (pp 224-241). Westport, CT: Greenwood Press.
  • De Stefano, P. (2003). Moving image preservation in libraries. Library Trends, 52(1), 118-32.
  • Eng, S., & Hernandez, F. A. (2006). Managing streaming video: A new role for technical services. Library Collections, Acquisitions, & Technical Services, 30(3), 214-23.
  • Fenimore, C. (2001). Mastering and archiving uncompressed digital video test materials. SMPTE Journal,110(10), 726-35.
  • Fisher, B., Bosley, R. K. (2001). Protecting our heritage. American Cinematographer 82(11), 85-110.
  • Fleischhauer, C. (2003). Looking at preservation from the digital library perspective. The Moving Image, 3(2), 96-100.
  • Forgas, L. (1997). The preservation of videotape: Review and implications for libraries and archives. Libri, 47(1), 43-56.
  • Gracy, K. F. (2003). Documenting the process of film preservation. The Moving Image, 3(1), 1-41.
  • Greiner, T. (2004, July/August). Preserving videotapes in libraries. Public Libraries, 43(4), 219-222.
  • Handman, G. P. (2002). The rights stuff: Video copyright and collection development. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 287-305). Westport, Conn.: Greenwood Press.
  • Heuring, D. (2001, November). The learning curve. American Cinematographer, 82(11), 102-110.
  • Ide, M. & Weisse, L. (2006). Preserving digital public television: A project by the Library of Congress. Washington, DC: Library of Congress.
  • Image Permanence Institute. (2001). User's guide for A-D strips: Film base deterioration monitors. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: http://www.imagepermanenceinstitute.org/shtml_sub/adinstr.pdf
  • Knapp, T. & Vogt-OíConnor, D. (2004, August). Caring for cellulose nitrate film. Conserve O Gram, 14/8. Washington, DC: National Park Service. Retrieved April 13, 2009, from: https://www.nps.gov/museum/publications/conserveogram/14-08.pdf
  • Kula, S. (2003). Appraising moving images. Lanham, MD: Scarecrow Press.
  • Lindner, J. (1994, October). Videotape restoration--where do I start? Abbey Newsletter, 18(6). Retrieved from: http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-6/an18-612.html
  • Lindner, J. (1994, November). Confessions of a videotape restorer: Or how come these tapes all need to be cleaned differently? Abbey Newsletter, 18(7). Retrieved from: http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-7/an18-710.html
  • Lindner, J. (1994, December). The proper care and feeding of videotape. Abbey Newsletter, 18(8). Retrieved from: http://palimpsest.stanford.edu/byorg/abbey/an/an18/an18-8/an18-808.html
  • Martin, A. L. (Ed.). (2001). AMIA compendium of moving image cataloging practice. Chicago, IL: Association of Moving Image Archivists and Society of American Archivists.
  • Murphy, W. T. (1997, October). Television and video preservation 1997: A report on the current state of American television and video preservation: Report of the Librarian of Congress (Vol. 1). Washington, DC: Library of Congress. Retrieved from: https://www.loc.gov/programs/national-film-preservation-board/preservation-research/television-videotape-preservation-study/current-state-of-american-television-and-video-preservation/
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007b). Moving images: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/video_quality.shtml
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007a). Moving images: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/video_preferences.shtml
  • National Digital Information Infrastructure and Preservation Program (NDIIPP). (2008). Format descriptions for moving images. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/fdd/video_fdd.shtml
  • National Film Preservation Foundation. (2004). The film preservation guide: The basics for archives, libraries and museums. San Francisco: National Film Preservation Foundation.
  • Noble, R. (1980). Archival preservation of motion pictures: Summary of current findings. American Association for State and Local History - Technical Leaflet 126.
  • Poole, F. C. (1999). Basic strategies for film preservation in libraries. Technical Services Quarterly, 16(4), 1-8.
  • Provine, R. E. (2002). Video collection into the future. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 433-448). Westport, CT: Greenwood Press.
  • Schwartz , E. (1994, August). Depositing films with archives: A guide to the legal issues. National Film Preservation Board. Library of Congress. Retrieved from: https://www.loc.gov/programs/national-film-preservation-board/preservation-research/film-preservation-plan/depositing-films-with-archives/
  • Stumm, C. (2004). Preservation of electronic media in libraries, museums, and archives. The Moving Image, 4(2), 38-63.
  • Texas Commission on the Arts. (2004). Texas Commission on the Arts videotape identification and assessment guide. Retrieved from: http://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf
  • Treadway, T. (2009). Home movies: A basic primer on care, handling, storage. Littlefilm.org. Retrieved from: http://www.littlefilm.org/
  • Urbanski, L. (n.d.). Film cleaning techniques and tips. Urbanski Film. Retrieved from: http://members.tripod.com/~Moviecraft/filmclean.html
  • Wheeler, J. (2002). Videotape preservation handbook. Hollywood, CA: AMIA. Retrieved from: http://www.amianet.org/sites/all/files/WheelerVideo.pdf
  • Wylie, S. F. (2008). Assessing the health of your film archive. Conservation Online. Retrieved, from: http://palimpsest.stanford.edu/byauth/wylie/assessment/ (unavailable as of 7/19/10)
  • Yee, M. M. (2007). Moving image cataloging: How to create and how to use a moving image catalog. Westport, CT: Libraries Unlimited.

Books & Paper (General)

Architectural Drawing Reproduction

  • Homburger, H. & Korbel, B. (1999). Architectural drawings on transparent paper: Modifications of conservation treatments. The Book and Paper Group Annual, 18. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v18/bp18-06.html
  • Kissel, E. & Vigneau, E. (1999). Architectural photoreproductions: A manual for identification and care. New Castle, DE: Oak Knoll Press.
  • Koerner, J. & Potje, K. (2002). Testing and decision-making regarding the exhibition of blueprints and diazotypes at the Canadian Centre for Architecture. The Book and Paper Annual, 21(15), 15-23.
  • Lowell, W.B. & Nelb, T.R. (2006). Architectural records: Managing design and construction records. Chicago, IL: Society of American Archivists.
  • Price, L.O. (2002). In the black: Ink-like photo-reproductions on tracing cloth. The Book and Paper Group Annual, 21, 25-30.
  • Price, L.O. (2010). Line, shade and shadow: The fabrication and preservation of architectural drawings. New Castle, DE: Oak Knoll Press.
  • Reed, J., Kissel, E. & Vigneau, E. (1995). Photo-reproductive processes used for the duplication of architectural and engineering drawings: Creating guidelines for identification. The Book and Paper Group Annual, 14. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v14/bp14-05.html
  • Verheyen, P., Davis, C., & Olson, D. (2003). Storage of architectural materials at the Syracuse University Library. The Book and Paper Group Annual, 22, 131-136.

Office Reprographics

  • Batterham, I. (2008). Office copying revolution: history, identification, and preservation. National Commonwealth of Australia: Library of Australia.
  • Bureau, W.H. (1977). Copying/duplicating methods through the years. Graphic Arts Monthly (Dec. 1977), 76-79.
  • Hawken, W.R. (1966). Copying methods manual. Chicago: Library Technology Program, American Library Association.
  • Jordan, Anne. (1993). Archives: Preservation through photocopying. Conserve O Gram, 19/4. Washington, DC: National Park Service. Retrieved from http://www.nps.gov/museum/publications/conserveogram/19-04.pdf
  • Nicholson, K. (1989). Photocopier hazards and a conservation case study. The Book and Paper Group Annual, 8. Retrieved from http://cool.conservation-us.org/coolaic/sg/bpg/annual/v08/bp08-05.html
  • Norville-Day, H. (1994). The conservation of faxes and colour photocopies, with special reference to David Hockney's home made prints. In Modern Works, Modern Problems? Conference Papers, 660-72. Alison Richmond (Ed.), England: Institute of Paper Conservation.
  • Rhodes, B.J. & Streeter, W.W. (1999). Before photocopying: The art and history of mechanical copying, 1780-1938. New Castle, DE: Oak Knoll Press.
  • Subt, S. (1987). Archival quality of xerographic copies. Restaurator, 8(1), 29-39.
  • Sung, C. H. (1982). Archives & manuscripts: Reprography. Chicago, IL: Society of American Archivists.
  • Teper, J.H. (2007). Popular 20th century office reprographic processes: a guide to identification and preservation. Collections: A Journal for Museum and Archives Professionals, vol. 3 (1), 7-32.
  • Tyrell, A. (1972). Basics of reprography. London, England: Focal Press.
  • University of Chicago Library. (n.d.). Iron gall ink. Undercovers: The art and science of book conservation. Retrieved from http://www.lib.uchicago.edu/e/webexhibits/scienceofconservation/irongallink.html
  • Xerox. (n.d.). The story of xerography. Retrieved from http://www.webstermuseum.org/xerox/xerography.pdf

Photographic / Image Materials

  • Adelstein, P. Z. (1987). From metal to polyester: History of picture-taking supports. In Ostroff, E. (Ed.), Pioneers of photography: Their achievements in science and technology (pp. 30-36). Springfield, VA: SPSE–The Society for Imaging Science and Technology.
  • Albright, G. (2007). Emergency salvage of wet photographs. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/3.-emergency-management/3.7-emergency-salvage-of-wet-photographs
  • Albright, G. (n.d.). Storage enclosures for photographic materials. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/5.-photographs/5.6-storage-enclosures-for-photographic-materials
  • Albright, G., & Fischer, M. (n.d.). Care of photographs. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/5.-photographs/5.3-care-of-photographs
  • Albright, G., & Fischer, M. (n.d.). Types of photographs. Andover, MA: Northeast Document Conservation Center. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/5.-photographs/5.2-types-of-photographs
  • American National Standards Institute (ANSI). (1988). American National Standard for Imaging Media-Photographic Processed Films, Plates, and Papers-Filing Enclosures and Storage Containers. No. ANSI IT9.2-1988. Retrieved from: https://law.resource.org/pub/us/cfr/ibr/001/aimm.it9.2.1998.pdf
  • Baldwin, G., & J,rgens, M. C. (2009). Looking at photographs: A guide to technical terms (Rev. ed.). Los Angeles, CA: J. Paul Getty Museum.
  • Banks, P. L. (2000). Environment and building design. In Preservation: Issues and Planning. Chicago, IL: American Library Association.
  • Benson, R. (2008). The printed picture. New York, NY: Museum of Modern Art.
  • Bigourdan, J.-L., & J. M. Reilly (2002). Effects of fluctuating environments on paper materials–Stability and practical significance for preservation. La Conservation l're du NumErique, Actes des QuatriEmes JournEes Internationales d'tudes de l'ARSAG, Paris, France: Association pour la Recherche Scientifique sur les Arts Graphiques. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/305
  • Canadian Conservation Institute (n.d.). Care of photographic materials. Retrieved from: http://www.cci-icc.gc.ca/resources-ressources/ccinotesicc/index-eng.aspx
  • Coe, B. (1978). Colour photography: The first hundred years 1840-1940. London, England: Ash & Grant.
  • Coe, B., & Haworth-Booth, M. (1983). A guide to early photographic processes. London, England: Victoria and Albert Museum in association with Hurtwood Press.
  • Conservation Center for Art and Historic Artifacts (CCAHA). (n.d.). Preservation planning bulletin. Retrieved from: http://www.ccaha.org/uploads/media_items/ccaha-preservation-planning.original.pdf
  • Conservation Center for Art and Historic Artifacts (CCAHA). (n.d.). Historically black colleges and universities (HBCU) photograph preservation project. Retrieved from: http://www.ccaha.org/hbcu
  • Coote, J. (1993). The illustrated history of colour photography. Surbiton, England: Fountain Press.
  • DeYoung, Fine Arts Museums of San Francisco. (2012). Mystery glass negative from Land's End. Retrieved from: http://deyoung.famsf.org/blog/mystery-glass-negatives-lands-end
  • Duffy, P. (Ed.) (1983). Storing, handling and preserving Polaroid photographs: A guide. Boston, MA: Focal Press.
  • Eaton, G. T. (1985). Conservation of photographs. Rochester, NY: Eastman Kodak Company.
  • Feldman, L. H. (1981). Discoloration of black-and-white photographic prints. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (188-205). Los Angeles, CA: Getty Conservation Institute.
  • Fischer, M. (2010). A short guide to film base photographic materials: Identification, care, and duplication. Retrieved from: http://www.nedcc.org/free-resources/preservation-leaflets/5.-photographs/5.1-a-short-guide-to-film-base-photographic-materials-identification,-care,-and-duplication
  • Funderburk, K. (2009). Guide to the surface characteristics: Kodak fiber based black and white papers (2nd ed.). Retrieved from: http://125px.com/docs/misc/other/Guide_to_Surface_Characteristics_FINAL.pdf
  • Gernsheim, H., & Gernsheim, A. (1969). The history of photography from the camera obscura to the beginning of the modern era. New York, NY: McGraw-Hill.
  • Gill, A. T. (1978). Photographic processes, a glossary and chart for recognition: Museums association information sheet. IS No. 21. London, England: Museums Association.
  • Gonzalez, M. E. (2012). Collaboration and fundraising for preservation of photographic materials. University of Delaware. Retrieved from: http://cool.conservation-us.org/byauth/gonzalez/collaboration_photographic.pdf
  • Hendriks, K. B. & Lesser, B. (1983). Disaster preparedness and recovery: Photographic materials. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (53-57). Los Angeles, CA: Getty Conservation Institute.
  • Horvath, D. G. (1987). The acetate negative survey final report. Louisville, KY: Ekstrom Library Photographic Archives, University of Louisville. Retrieved from: http://gawainweaver.com/images/uploads/Horvath_AcetateNegativeSurvey.pdf
  • Image Permanence Institute. (2007). A consumer guide for the recovery of water-damaged traditional and digital prints. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/314
  • Image Permanence Institute. (2010). A consumer guide to materials for preservation framing and display of images. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology.
  • Institute of Museum and Library Services (IMLS). (n.d.). Connecting to collections initiative. Retrieved from: https://www.imls.gov/issues/national-initiatives/connecting-collections
  • ISO. (2000). 18911 Imaging materials–Processed safety photographic films–Storage practices. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2000). 18918 Imaging materials–Processed photographic plates–Storage practices. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2000). 18920 Imaging materials–Processed photographic reflection prints–Storage practices.
  • ISO. (2002). 18902 Imaging materials–Processed photographic films, plates and papers–Filing enclosures and storage containers. Geneva, Switzerland: International Organization for Standardization.
  • ISO. (2007). 18916 Imaging materials: Processed imaging materials–Photographic activity test for enclosure materials. Geneva, Switzerland: International Organization for Standardization.
  • J,rgens, M. (2004). Digital print identification website and process database. Retrieved from: http://cool.conservation-us.org/coolaic/sg/emg/juergens/
  • Krause, P. (1985). Preservation of Autochrome plates in the collection of the national geographic society. In Norris, D.H. & Gutierrez, J.J. (Ed.), Issues in the conservation of photographs (496-511). Los Angeles, CA: Getty Conservation Institute.
  • LavÈdrine, B. (2003). A Guide to the Preventive Conservation of Photograph Collections. Los Angeles, CA: Getty Publications.
  • LavÈdrine, B. (2003). Enclosures. In A Guide to the Preventive Conservation of Photograph Collections (43-81). Los Angeles, CA: The Getty Conservation Institute.
  • LavÈdrine, B. (2003). Mounting and exhibition. In A guide to the preventative conservation of photograph collections (159-175). Los Angeles, CA: The Getty Conservation Institute.
  • LavÈdrine, B., Gandolfo, J., McElhone, J., & Monod, S. (2009). Photographs of the past: Process and preservation. Los Angeles, CA: The Getty Conservation Institute.
  • Lemmen, B. 2011. Housing Materials for Photographs: Criteria for Selection. Philadelphia, PA: Conservation Center for Art and Historic Artifacts. Retrieved from: http://www.ccaha.org/uploads/media_items/hbcu-housing-materials-for-photographs.original.pdf
  • Library of Congress, (n.d.). Lighting of Library Materials. Retrieved from: http://www.loc.gov/preservation/care/light.html
  • McCormick-Goodhart, M.H. (1996). The allowable temperature and relative humidity range for the safe use and storage of photographic materials. Journal of the Society of Archivists 17(1): 7-21. Retrieved from: http://www.wilhelm-research.com/subzero/MMG_Allowable_Temp_and_RH.pdf
  • McElhone, J. (1993). Determining responsible display conditions for photographs. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (669-683). Los Angeles, CA: Getty Conservation Institute.
  • Mesquit, T. & Lemmen, B. (2005). Coatings on polaroid prints. In McCabe, Constance (Eds.), Coatings on photographs: Materials, Techniques, and Conservation (180-199). Washington, DC: American Institute for Conservation of Historic and Artistic Works.
  • Messier, P. (2005). Notes on dating photographic paper. George Eastman House Notes on Photography. Retrieved from: http://resources.conservation-us.org/pmgtopics/2005-volume-eleven/11_16_Messier.pdf
  • Messier, P. (2006). Notes on dating photographic paper. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (98-106). Los Angeles, CA: Getty Conservation Institute.
  • Messier, P., Baas, V., Tafilowski, D., & Varga, L.(2005). Optical brightening agents in photographic paper. Journal of the American Institute for Conservation, 44(1), 1-12. Retrieved from: http://cool.conservation-us.org/coolaic/jaic/articles/jaic44-01-001_indx.html
  • Nadeau, L. (1994). Encyclopedia of printing, photographic, and photomechanical processes: Containing invaluable information on over 1500 processes. Fredericton, NB, Canada: Atelier L. Nadeau.
  • National Archives of Australia (NAA). (n.d.). Handling and Care. Retrieved from: http://www.naa.gov.au/records-management/agency/preserve/physical-preservation/photographs.aspx#section5
  • National Park Service (n.d.). Cold storage. Retrieved from: http://www.nps.gov/museum/coldstorage/html/index.html
  • National Park Service. (1993). Chronology of photographic processes. Conserve O Gram 14/3. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-03.pdf
  • National Park Service. (1993). Storage enclosures for photographic prints and negatives. Conserve O Gram 14/2. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-02.pdf
  • National Park Service. (1997). Caring for photographs: General guidelines. Conserve O Gram 14/4. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-04.pdf
  • National Park Service. (1997). Caring for photographs: Special formats. Conserve O Gram 14/5. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-05.pdf
  • National Park Service. (1998). Caring for color photographs. Conserve O Gram 14/6. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-06.pdf
  • National Park Service. (1998). Caring for photographs: Special monochrome processes. Conserve O Gram 14/7. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-07.pdf
  • National Park Service. (2004). Caring for cellulose nitrate film. Conserve O Gram 14/8. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-08.pdf
  • National Park Service. (2009). Cold storage for photograph collections – an overview. Conserve O Gram 14/10. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-10.pdf
  • National Park Service. (2009). Cold storage for photograph collections – using individual freezer unit. Conserve O Gram 14/11. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-11.pdf
  • National Park Service. (2009). Cold storage for photograph collections – vapor-proof packaging. Conserve O Gram 14/12. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-12.pdf
  • National Park Service. (2009). Identification of film-base photographic materials. Conserve O Gram 14/9. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/14-09.pdf
  • Neblette, C.B. (1977). Nebletteís handbook of photography and reprography: Materials, processes, and systems (7th ed.). J.M. Sturge (Ed.). New York, NY: Van Nostrand Reinhold Company.
  • Newhall, B. (1988). The history of photography from 1839 to the present (5th ed.). New York, NY: Museum of Modern Art.
  • Nishimura, D. (1992). Storage of Polaroid black and white photographs. In C. Rose and A. R. de Torres (Eds.), Storage of natural history collections: Ideas and practical solutions. (pp. 275-276). Pittsburgh, PA: Society for the Preservation of Natural History Collections.
  • Nishimura, D. (1993a, October 1). Polaroid prints [Web DistList Message]. Retrieved from http://cool.conservation-us.org/byform/mailing-lists/cdl/1993/0491.html
  • Nishimura, D. (1993b, October 10). Polaroid prints [Web DistList Message]. Retrieved from http://cool.conservation-us.org/byform/mailing-lists/cdl/1993/0516.html
  • Norris, D.H. (1983). The proper storage and display of a photographic collection. The Book and Paper Group Annual, 2. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v02/bp02-08.html
  • Norris, D.H. (1991). Preservation planning for diverse photographic holdings. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (577-585). Los Angeles, CA: Getty Conservation Institute.
  • Norris, D.H. (1991). Preservation planning for diverse photographic holdings. In Issues in the Conservation of Photographs. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (577-585). Los Angeles, CA: Getty Conservation Institute.
  • Norris, D.H. (1992). The painter-photographer: The photographic works of Thomas Eakins and Andy Warhol. The Imperfect Image; Photographs – Their Past, Present, and Future: Conference Proceedings. London, England: Centre for Photographic Conservation. 62-68.
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  • Parsons, T.F., Gray, G.G., & Crawford, I.H. (1979). To RC or not to RC. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (171-187). Los Angeles, CA: Getty Conservation Institute.
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  • Perloff, S., Bunnell, P. C., Bowditch, L. L., Michaels, B. L., & Nadeau, L. (2003). Camera work: A centennial celebration. Langhorne, PA: Photo Review.
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  • Reilly, J.M. (1991). Preserving photographic collections in research libraries: a perspective. In Photograph preservation and the research library. Mountain View, CA: The Research Libraries Group, Inc.
  • Reilly, J.M. (1993). IPI storage guide for acetate film. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/299
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  • Reilly, J.M., Nishimura, D.W., Pavao, L., & Adelstein, P.Z. (1989). Photograph enclosures: Research and specifications. Restaurator: International Journal for the Preservation of Library and Archival Material 10(3-4), 102-11.
  • Rempel, S. (1987). The care of photographs. New York, NY: Nick Lyons Books.
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  • Robb, A. & Fischer, M. (1993). Guidelines for care & identification of film-base photographic materials. Retrieved from: http://cool.conservation-us.org/byauth/fischer/fischer1.html
  • Romer, G.B. (2010). What is a photograph? In D.H.Norris & J.J. Gutierrez (Eds.), Issues in the conservation of photographs (107-109). Los Angeles, CA: Getty Conservation Institute.
  • Roosa, M. (2002). Care, handling, and storage of photographs. International Federation of Library Associations and Institutions (IFLA) Core Programme Preservation and Conservation.
  • Teper, J.H. (2004). Newspaper photo morgues: A survey of institutional holdings and practices. Library Collections, Acquisitions, & Technical Services, 28, 106-125.
  • Vitale, T., & Messier, P. (1994). Physical and mechanical properties of albumen photographs. Journal of the American Institute for Conservation, Volume 3. Retrieved from: http://albumen.conservation-us.org/library/c20/vitale1994.html
  • Wagner, S., McCabe, C., & Lemmen, B. (2009). Guidelines for exhibition light levels for photographic materials. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (684-690). Los Angeles, CA: Getty Conservation Institute.
  • Ware, M. (1999). Cyanotype: The history, science and art of photographic printing in Prussian blue. London, England: National Museum of Photography, Film & Television.
  • Weaver, G. & Long, Z. (2009). Chromogenic characterization: a study of Kodak color prints, 1942-2008. Retrieved from: http://gawainweaver.com/images/uploads/Weaver_and_Long_Chromogenic_prepublication_edition.pdf
  • Weaver, G. (2008). A Guide to fiber-base gelatin silver print condition and deterioration. Rochester, NY: George Eastman House and Image Permanence Institute. Retrieved from: http://gawainweaver.com/images/uploads/Weaver_Guide_to_Gelatin_Silver.pdf
  • Weaver, G. (2010, May 16-19). Care and identification of photographs. Workshop guide from Care and Identification of Photographs. Iowa State University Library, Ames, IA.
  • Wilhelm, H. & Brower, C. (1993). The permanence and care of color photographs: Traditional and digital color prints, color negatives, slides, and motion pictures. Grinnell, IA: Preservation Publishing Company. Retrieved from: http://wilhelm-research.com/pdf/HW_Book_761_Pages_HiRes_v1c.pdf
  • Wilhelm, H. (1978). Color print instability: a problem for collectors and photographers. In D.H. Norris & J.J. Gutierrez (Ed.), Issues in the conservation of photographs (457-470). Los Angeles: Getty Conservation Institute.
  • Wilker, A. (2004). The composition and preservation of instant films. Retrieved from: https://www.ischool.utexas.edu/~cochinea/pdfs/a-wilker-04-instantfilm.pdf

Photomechanical Prints

  • Adams, M.S., Baker, C.A., & Zachary, S. (2009). Sizing in nineteenth-century book papers. The Book and Paper Group Annual, 28. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v28/bp28-01.pdf
  • Albro, S., Biggs, J.L., Dekle, C., Haude, M.E., Karnes, C., & Khan, Y. (2008). Developing guidelines for iron-gall ink treatments at the Library of Congress. The Book and Paper Group Annual, 27, 129-165.
  • Baker, C. A. (2010). From the hand to the machine nineteenth-century American paper and mediums: technologies, materials, and conservation. Ann Arbor, MI: The Legacy Press.
  • Barrow, W. J. (1960). The manufacture and testing of durable book papers. Church, R. W. (Ed.). Richmond, VA: The Virginia State Library.
  • Basta, A.H., El-Saied, H., Mohamed, S.H., & El-Sherbiny, S. (2006). The role of neutral rosin-alum size in the production of permanent paper. Restaurator, 27(2), 67-80.
  • Cedzova, M. et al. (2006). Patents for paper deacidification. Restaurator: International Journal for the Preservation of Library and Archival Material, 27, 35.
  • Collings, T. & Milner, D. (1990). A new chronology of papermaking technology. The Paper Conservator, 14(1), 58-62. DOI: 10.1080/03094227.1990.9638387
  • El-Saied, H., Basta, A.H., & Abdou, M.M. (1998). Permanence of paper 1: Problems and permanency of alum-rosin sized paper sheets from wood pulp. Restaurator, 19(3), 155-171.
  • Erhardt, D. & Tumosa, C.S. (2005). Chemical degradation of cellulose in paper over 500 years. Restaurator, 26(3), 155-158.
  • Gertz, J. (2002). What is permanent paper? Information Standards Quarterly 14(2), 1-4.
  • Jenkins, P. (1992). Vexed by vellum papers. The Paper Conservator, 16, 62-66.
  • Library of Congress. (2006). The deterioration and preservation of paper: Some essential facts. Retrieved from: http://www.loc.gov/preservation/care/deterioratebrochure.html
  • Mertle, J.S. & Monsen, G.L. (1957). Photomechanics and printing: Practical information on platemaking and presswork by recognized procedures. Chicago, IL: Mertle Publishing Company.
  • Nadeau, L. (n.d.). Photoconservation museum: Photomechanical processes. Retrieved from http://www.photoconservation.com/index.php?option=com_content&view=section&id=5&Itemid=54
  • Ritzenthaler, M. L. (2010). Archival materials as physical objects. In Preserving archives & manuscripts (2nd ed.). Chicago, IL: The Society of American Archivists.
  • Tremain, D. (2008). Notes on emergency drying of coated papers damaged by water. Retrieved from: http://cool.conservation-us.org/byauth/tremain/coated.html
  • Van der Reyden, D., Hofmann, C., & Baker, M. (1993). Effects of aging and solvent treatments on some properties of contemporary tracing papers. Journal of the American Institute for Conservation 32(2), 177-206. Retrieved from: http://cool.conservation-us.org/jaic/articles/jaic32-02-008_indx.html
  • Wootton, M., Munn, J., & Wallis, T.B. (1996). Observations concerning the characteristics of handmade paper: The Library of Congress Endpaper Project 1996. The Book and Paper Group Annual, 15. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v15/bp15-21.html

Digital Prints

Microforms

Ink & Other Media

  • Dube, L. (1998). The copying pencil: Composition, history, and conservation implication. The Book and Paper Group Annual, 17.
  • Ellis, M. H. (1987). The care of prints and drawings. Walnut Creek, CA: AltaMira Press.
  • Ellis, M.H., Yeh, M.B. (1997). Categories of wax-based drawing media. WACC Newsletter 19(3). Retrieved from: http://cool.conservation-us.org/waac/wn/wn19/wn19-3/wn19-308.html
  • European Commission on Preservation and Access. (2011). Iron gall ink website. Retrieved from: http://irongallink.org/igi_index.html
  • Maraval, M. & Flieder, F. (1993). The stability of printing inks. Restaurator 14(3), 141-171.
  • Reissland, B. (1999). Ink corrosion aqueous and non aqueous treatment of paper objects–state of the art. Restaurator 20, 167–180.

Leather & Parchment

Adhesives

Museum Objects (General)

Archaeological Materials

Ceramic

Glass

Stone

Metal