American Library Association, Local History Committee of the History Section, Reference and Adult Services Association. (2012). RUSA guidelines for establishing local history collections. Retrieved July 10, 2014, from: http://www.ala.org/rusa/resources/guidelines/guidelinesestablishing
Baker, C.A. & Silverman, R. (2005). Misperceptions about white gloves. International Preservation News: a Newsletter of the IFLA Core Activity on Preservation and Conservation, 37, 4-9. Retrieved from: www.ifla.org/files/assets/pac/ipn/ipnn37.pdf
Blake, J.C., Schleper, S. P. (2004). From data to decisions: Using surveys and statistics to make collection management decisions. Library Collections, Acquisitions, & Technical Services, 28(4), 460-4.
Bressor, J.P. (1990). Caring for historical records: Workshop curriculum and resource materials. Storrs, CT: Historical Manuscripts & Archives, University of Connecticut.
Brown, K. (2005, April). Use of general preservation assessments process. Library Resources and Technical Services (LRTS), 49(2), April 2005: 90-106.
Brown, K.E.K. (2006, Jan.). Use of general preservation assessment outputs. Library Resources and Technical Services (LRTS), 50(1), Jan 2006: 58-72.
Buchanan, S., & Coleman, S. (1987). Deterioration survey of the Stanford University Libraries Green Library Stack Collection. In P. Darling (Comp.) & Wesley Boomgaarden (Rev. Ed.), Preservation Planning Program Resource Notebook. Washington, DC: Assn. of Research Libraries, Office of Management Studies.
Cassar, M. (1995). Environmental management: Guidelines for museums and galleries. London, England: Routledge.
Handman, G. P. (2002). The rights stuff: Video copyright and collection development. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 287-305). Westport, CT: Greenwood Press.
Harden, J.J. (2001). Saving the past for the future! Deciding what to save, part 2: Preserving what is saved. Colorado Libraries, 29(3), 44-46.
Harden, J.J. (2001). Saving the past for the future! Part 1: Deciding what to save for a local history collection. Colorado Libraries, 27(4), 43-44.
Harris, C. (2000). Selection for Preservation. In P.N. Banks & R. Pilette (Eds.), Preservation: Issues and planning (206-224). Chicago, IL: American Library Association.
Hatchfield, P. & Carpenter, J. (1987). Formaldehyde: How great is the danger to museum collections? Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museums.
Hatchfield, P. (2002). Pollutants in the museum environment: Practical strategies for problem solving in design, exhibition and storage. London, England: Archetype Publications.
Heritage Preservation, and Heritage Emergency National Task Force. (2011) (2006). Field guide to emergency response. Washington, DC: Heritage Preservation.
Heritage Preservation. (1998). Capitalize on collections care to increase support, generate contributions and donations, increase membership and support, and stimulate earned income. Washington, DC: Heritage Preservation.
Johnson, T., Meador-Woodruff, R., & Segal, T. (2010). 5E: Marking. In R.A. Buck, & J.A. Gilmore (Eds.), Museum Registration Methods 5th Edition (5, pp. 233-248). Washington, DC: AAM Press, American Association of Museums.
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Michalski, S. (n.d.) Agent of deterioration: Light, ultraviolet and infrared. Canadian Conservation Institute. Retrieved from: http://canada.pch.gc.ca/eng/1444925073140
Ogden, S. (1997). Preservation planning: guidelines for writing a long-range plan. Washington, DC: American Association of Museums and Northeast Document Conservation Center.
Pearce-Moses, R. (2012). Glossary of archival and records terminology. Society of American Archivists (SAA). Retrieved from: http://www2.archivists.org/glossary/
Ritzenthaler, M. L. (1983). Archives & manuscripts: Conservation, a manual on physical care and management. Chicago, IL: Society of American Archivists (SAA Basic Manual Series).
Sheehan, P. (1990). A condition survey of books in Trinity College Library Dublin. Libri, 40(4), 306-17.
Simmons, J.E. (2006). Things great and small: Collections management policies. Washington, DC: American Association of Museums.
Stewart, E., & Banks, P.N. (2000). Preservation information in nonpaper formats. In P.N. Banks & R. Pilette (Eds.), Preservation: Issues and planning (323-342). Chicago IL: American Library Association.
Walker, G. (1985, March). The Yale survey: A large-scale study of book deterioration in the Yale University Library. College and Research Libraries, 46(March 1985): 111-132.
Audiovisual (General)
Adelstein, P. Z. (2004). Media storage quick reference: Negatives, prints, tapes, CDs & DVDs. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/301
Bigourdan, J.L., Reilly, J. M., Santoro, K., Salesin, G. (2006, December 22). The preservation of magnetic tape collections: A perspective. Final report to National Endowment for the Humanities Division of Preservation and Access (NEH GRANT # PA-50123-03). Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/303
Boles, F., Young, J. M. (2000). Exploring the black box: The appraisal of university administrative records. In Randall C. Jimerson (Ed.), American archival studies: Readings in theory and practice (pp. 279-300). Chicago, IL: Society of American Archivists.
Castelli, D. (2006). Digital libraries of the future - and the role of libraries. Library Hi Tech, 24(4), 496-503.
DeCandido, R. (1995). Statistical methodologies for preservation. New Library Scene 14, 9-10.
De Stefano, P. (2000). Digitization for preservation and access. In Paul N. Banks & Roberta Pilette (Eds.), Preservation: Issues and planning (pp. 307-322). Chicago, IL: American Library Association.
Drott, M. C. (1969). Random sampling: A tool for library research. College and Research Libraries, 30(2), 119-125.
Evans, B. (1993). The Duke Library Project: Using an item-by-item assessment to develop a conservation programme. The Paper Conservator 17, 39-44.
Ferullo, D. L. (2004). Major copyright issues in academic libraries: Legal implications of a digital environment. Journal of Library Administration, 40(1), 23-40.
Floray, S. P., Horton, T., Knapp, T., Pasiuk, J., Vogt-OíConnor, D. (2003). Handling and shipping cellulose nitrate film. Conserve O Gram, 2/20. Washington, DC: National Park Service. Retrieved from: http://www.nps.gov/museum/publications/conserveogram/02-20.pdf
Gasaway, L. (1983, July). Audiovisual materials and copyright in special libraries. Special Libraries, 74, 222-39.
Gertz, J. (2000, April). Selection for preservation in the digital age: An overview. Library Resources & Technical Services, 44, 97-104.
Gibson, G. D. (1987). Decay and degradation of disk and cylinder recordings in storage. In Eva Orbanz (Ed.), Archiving the audio visual heritage: A joint technical symposium (pp. 47-53). Berlin, Germany: Stiftung Deutsche Kinemathek.
Gilliland-Swetland, A. J. (2000). Enduring paradigm, new opportunities: The value of the archival perspective in the digital environment. Washington, DC: Council on Library and Information Resources.
Green, Paul. (2003). A method for undertaking a full conservation audit of special collections of books and manuscripts. Collection Management, 28(4), 23-41.
Guidelines for off-air taping for educational purposes (Kastenmeier guidelines). (1984, October 14). Congressional Record. UC Berkeley Library. Retrieved from: http://www.lib.berkeley.edu/MRC/Kastenmeier.html
Hernon, P. & McClure, C. R. (1990). Sampling. Evaluation and library decision making (pp. 104-117). Norwood, NJ: Ablex.
Hunter, G. S. (2003). Developing and maintaining practical archives. How-to-do-it manuals for librarians (2nd ed.) (Vol. 122). New York, NY: Neal-Schuman.
Ide, M. & Weisse, L. (2003). Developing preservation appraisal criteria for a public broadcasting station. The Moving Image, 3(1), 146-57.
Iraci, J. (2002). Disaster recovery of modern information carriers: Compact discs, magnetic tapes and magnetic discs. Technical Bulletin (No. 25). Ottawa, ON, Canada: Canadian Conservation Institute.
Iraci, J. (2005). Remedies for deteriorated or damaged modern information carriers. Technical Bulletin (No. 27). Ottawa, ON, Canada: Canadian Conservation Institute.
ISO. (2000). ISO 18923 Imaging materials– Polyester-base magnetic tape– Storage practices. Geneva, Switzerland: International Organization for Standardization.
ISO. (2002). 18925 Imaging materials– Optical disc media– Storage practices. Geneva, Switzerland: International Organization for Standardization.
ISO. (2006). 18933 Imaging materials– Magnetic tape– Care. Geneva, Switzerland: International Organization for Standardization.
ISO. (2006). 18934 Imaging materials– Multiple media archives– Storage environment, 1st ed. Geneva, Switzerland: International Organization for Standardization.
Jantz, R. & Giarlo, M. J. (2005). Digital preservation: Architecture and technology for trusted digital repositories. D-Lib Magazine, 11(6). Retrieved from: http://www.dlib.org/dlib/june05/jantz/06jantz.html
Kahn, M. B. (2004). Protecting your library's digital sources. Chicago, IL: American Library Association.
King, G. (n.d.). Magnetic wire recordings: A manual including historical background, approaches to transfer and storage, and solutions to common problems. University of Washington Ethnomusicology Archives. Retrieved from: https://music.washington.edu/magnetic-wire-recordings
Lawrence, G. W., & Council on Library and Information Resources. (2000). Risk management of digital information: A file format investigation. Washington, DC: Council on Library and Information Resources.
Manoff, M. (2006). The materiality of digital collections: Theoretical and historical perspectives. Libraries and the Academy, 6(3), 311-27.
Miliano, M. & International Association of Sound and Audiovisual Archives (IASA) Editorial Group. (1999). The IASA cataloguing rules: A manual for the description of sound recordings and related audiovisual media. Stockholm; Baden-Baden: International Association of Sound and Audiovisual Archives. Retrieved from: http://www.iasa-web.org/cataloguing-rules
National Archives and Records Administration. (n.d.). Frequently asked questions (FAQs) about optical storage media: Storing temporary records on CDs and DVDs. Records Management Resources. Retrieved from: https://www.archives.gov/records-mgmt/initiatives/erm-guidance.html
National Information Standards Organization (NISO). (2007). A framework of guidance for building good digital collections. Retrieved from: http://framework.niso.org/
National Initiative for a Networked Cultural Heritage (NINCH). (2002). The NINCH guide to good practice in the digital representation and management of cultural heritage materials. Retrieved from: www.nyu.edu/its/humanities//ninchguide/
Paton, C. A. (1997). A review and discussion of selected acetate disc cleaning methods: Anecdotal, experiential and investigative findings. ARSC Journal, 28, 2-23.
Pennavaria, K. (2002, Spring). Film, CD and audio/video tape preservation: A serious problem for libraries. Kentucky Libraries, 66(2), 14-17.
Rauch, C., Pavuza, F., Strodl, S., & Rauber, A. (2005, May 11-13). Evaluating preservation strategies for audio and video files. Paper presented at the DELOS Workshop on Digital Repositories: Interoperability and Common Services, Heraklion, Greece. Retrieved from: http://www.ifs.tuwien.ac.at/~strodl/paper/rau_digrep05.pdf
Schroeder, D. & Lare, G. (1979). Audiovisual equipment and materials: A basic repair and maintenance manual. Metuchen, NJ: Scarecrow Press.
Schroeder, D. & Lare, G. (1989). Audiovisual equipment and materials: A basic repair and maintenance manual (Vol. 2). Metuchen, NJ: Scarecrow Press.
Schuller, D. (2008, February). Audio and video carriers: Recording principles, storage and handling, maintenance of equipment, format and equipment obsolescence. Amsterdam: Training for Audiovisual Preservation in Europe (TAPE). Retrieved from: http://www.tape-online.net/docs/audio_and_video_carriers.pdf
Talab, R. S. (1999). Commonsense copyright: A guide for educators and librarians (2nd ed.). Jefferson, NC: McFarland & Company.
Tillet, B. (2004). What is FRBR? A conceptual model for the bibliographic universe. Washington, DC: Library of Congress Cataloging Distribution Service. Retrieved from: http://www.loc.gov/cds/downloads/FRBR.PDF
U.S. Copyright Office. (2009). Rulemaking on exemptions from prohibition on circumvention of technological measures that control access to copyrighted works. Washington, DC: U.S. Copyright Office. Retrieved from: http://www.copyright.gov/1201/
Van Bogart, J. W. C. (1995, June). Magnetic tape storage and handling: A guide for libraries and archives. Washington, D.C.: The Commission on Preservation and Access; St. Paul, MN: National Media Laboratory. Retrieved from: http://www.clir.org/pubs/reports/pub54/index.html
Walker, R. G., Greenfield, J., & Fox, J. (1985, March). The Yale survey: A large-scale study of book deterioration in the Yale university library. College and Research Libraries, 46(2), 111-132.
Weig, E., Terry, K., & Lybarger, K. (2007, May/June). Large scale digitization of oral history: A case study. D-Lib Magazine 13(5-6). Retrieved from: http://www.dlib.org/dlib/may07/weig/05weig.html
Recorded Sound
Allen, D. R. (2003). State of recorded sound: Survey of surveys. Report prepared by the Communications Office, Inc. for the Council on Library and Information Resources.
Baldwin, D. A. (2004, Fall). Toward an appraisal model for audio materials in regional archives and historical societies. ARSC Journal, 35(2), 179-96.
Blood, G. (2002, August 23). Planning an audio preservation transfer project. Paper presented at the annual meeting of the Society of American Archivists, Birmingham, AL. Retrieved April 10, 2009, from: http://www.safesoundarchive.com/papers.cfm (unavailable as of 7/19/10)
Bolnick, D., Johnson, B. (1989, November 15). Audiocassette repair. Library Journal, 114(19), 43-46.
Bradley, K. (2006). Risks associated with the use of recordable CDs and DVDs as reliable storage media in archival collections - Strategies and alternatives. Paris, France: UNESCO.
Breaden, I. C. (2006). Sound practices: On-line audio exhibits and the cultural heritage archive. American Archivist, 69, 33-59.
Brylawski, S. (2002, April). Preservation of digitally recorded sound. Building a national strategy for digital preservation: Issues in digital media archiving (pp. 52-66). Washington, DC: Council on Library and Information Resources and Library of Congress.
CDP Digital Audio Working Group. (2006, October). Digital audio best practices: Version 2.1. Aurora, CO: BCR.
Edmondson, R. (2004). Audiovisual archiving: Philosophy and principles. Paper presented at United Nations Educational, Scientific and Cultural Organization, Paris, France. Retrieved from http://unesdoc.unesco.org/images/0013/001364/136477e.pdf
Farrington, J. (1991). Preventive maintenance for audio discs and tapes. Notes, 48(2), 437-445.
Frost, H. (2003, July 24-26). Surveying sound recording collections. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
Gasaway, L. (2001, Fall). Copyright and sound recordings: Overview and update. ARSC Journal, 32(2), 217-31.
Grimstad, M. (2004, April/June). The Digital Radio Archives (DRA) at the Norwegian Broadcasting Corporation. Fontes Artis Musicae, 51(2), 169-72.
Griscom, R. (2003, March). Distant music: Delivering audio over the internet. Notes, 59(3), 521-541.
Harper, G. K. (2003, July 24-26). Copyright law and audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
Holzberlein, D. with the assistance of Jones, D. (1988). Cataloging sound recordings: A manual with examples. New York, NY: Haworth Press.
Miller, K. (2003, July 24-26). The case for audio preservation. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007c). Sound: Format descriptions for sound. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/fdd/sound_fdd.shtml
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007d). Sound: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/sound_preferences.shtml
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007e). Sound: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved April 10, 2009, from: http://www.digitalpreservation.gov/formats/content/sound_quality.shtml
Paton, C. A. (1998, Spring). Preservation re-recording of audio recordings in archives: Problems, priorities, technologies, and recommendations. American Archivist, 61, 519-546.
Seadle, M. (1999). Preserving the spoken word: Six issues in search of a digital solution. Library Hi Tech, 17(3), 230-232.
Seubert, D. (2004, August 2-8). Guide to standards and recommended practices. Recorded sound roundtable meeting, annual meeting of the Society of American Archivists, Boston, MA.
Stauderman, S. (2003, July 24-26). Pictorial guide to sound recording media. Paper presented at the symposium on Sound Savings: Preserving Audio Collections. Association of Research Libraries, Austin, TX. Retrieved from: http://www.arl.org/storage/documents/publications/sound-savings.pdf
Warren, R. Jr. (1994). Handling of sound recordings.ARSC Journal, 25(2), 139-162.
Warren, R. Jr. (1993). Storage of sound recordings.ARSC Journal, 24(2), 130-158.
Becker, S. (2007). See and save: Balancing access and preservation for ephemeral moving images. Spectator - The University of Southern California Journal of Film and Television, 27(1), 21-28.
Bigourdan, J.-L., Coffey, L., & Swanson, D. (n.d.).The home film preservation guide. Retrieved from: http://www.filmforever.org/
Bosley, R. K. (2001, November). Second chances. American Cinematographer, 82(11), 99-110.
Boyle, D. (1993). Video preservation: Securing the future of the past. New York, NY: Media Alliance.
Bromberg, N., Palin, H., & Burke, L. (2004). Washington state film preservation manual: Low-cost and no-cost suggestions to care for your film. Washington Preservation Initiative and the University of Washington Libraries, Special Collections Division.
Clark, J. (2002). Preserving the image: Video preservation. In Gary Handman (Ed.), Video collection development in multi-type libraries: A handbook (pp 224-241). Westport, CT: Greenwood Press.
De Stefano, P. (2003). Moving image preservation in libraries. Library Trends, 52(1), 118-32.
Eng, S., & Hernandez, F. A. (2006). Managing streaming video: A new role for technical services. Library Collections, Acquisitions, & Technical Services, 30(3), 214-23.
Fenimore, C. (2001). Mastering and archiving uncompressed digital video test materials. SMPTE Journal,110(10), 726-35.
Fisher, B., Bosley, R. K. (2001). Protecting our heritage. American Cinematographer 82(11), 85-110.
Fleischhauer, C. (2003). Looking at preservation from the digital library perspective. The Moving Image, 3(2), 96-100.
Forgas, L. (1997). The preservation of videotape: Review and implications for libraries and archives. Libri, 47(1), 43-56.
Gracy, K. F. (2003). Documenting the process of film preservation. The Moving Image, 3(1), 1-41.
Greiner, T. (2004, July/August). Preserving videotapes in libraries. Public Libraries, 43(4), 219-222.
Handman, G. P. (2002). The rights stuff: Video copyright and collection development. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 287-305). Westport, Conn.: Greenwood Press.
Heuring, D. (2001, November). The learning curve. American Cinematographer, 82(11), 102-110.
Ide, M. & Weisse, L. (2006). Preserving digital public television: A project by the Library of Congress. Washington, DC: Library of Congress.
Image Permanence Institute. (2001). User's guide for A-D strips: Film base deterioration monitors. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: http://www.imagepermanenceinstitute.org/shtml_sub/adinstr.pdf
Martin, A. L. (Ed.). (2001). AMIA compendium of moving image cataloging practice. Chicago, IL: Association of Moving Image Archivists and Society of American Archivists.
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007b). Moving images: Quality and functionality factors. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/video_quality.shtml
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2007a). Moving images: Preferences in summary. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/content/video_preferences.shtml
National Digital Information Infrastructure and Preservation Program (NDIIPP). (2008). Format descriptions for moving images. Sustainability of digital formats: Planning for Library of Congress collections. Library of Congress. Retrieved from: http://www.digitalpreservation.gov/formats/fdd/video_fdd.shtml
National Film Preservation Foundation. (2004). The film preservation guide: The basics for archives, libraries and museums. San Francisco: National Film Preservation Foundation.
Noble, R. (1980). Archival preservation of motion pictures: Summary of current findings. American Association for State and Local History - Technical Leaflet 126.
Poole, F. C. (1999). Basic strategies for film preservation in libraries. Technical Services Quarterly, 16(4), 1-8.
Provine, R. E. (2002). Video collection into the future. In Gary P. Handman (Ed.), Video collection development in multi-type libraries: A handbook (2nd ed.) (pp. 433-448). Westport, CT: Greenwood Press.
Wylie, S. F. (2008). Assessing the health of your film archive. Conservation Online. Retrieved, from: http://palimpsest.stanford.edu/byauth/wylie/assessment/ (unavailable as of 7/19/10)
Yee, M. M. (2007). Moving image cataloging: How to create and how to use a moving image catalog. Westport, CT: Libraries Unlimited.
National Information Standards Organization. (1995). NISO-TR01-1995: Environmental guidelines for the storage of paper records. Bethesda, MD: NISO Press.
Ritzenthaler, M.L. (1990). Preservation of archival records: Holdings maintenance at the National Archives. Washington, DC: National Archives and Records Administration.
Roberts, M. T. & Etherington, D. (2011). Bookbinding and the conservation of books: A dictionary of descriptive terminology. Retrieved from: http://cool.conservation-us.org/don//
Kissel, E. & Vigneau, E. (1999). Architectural photoreproductions: A manual for identification and care. New Castle, DE: Oak Knoll Press.
Koerner, J. & Potje, K. (2002). Testing and decision-making regarding the exhibition of blueprints and diazotypes at the Canadian Centre for Architecture. The Book and Paper Annual, 21(15), 15-23.
Lowell, W.B. & Nelb, T.R. (2006). Architectural records: Managing design and construction records. Chicago, IL: Society of American Archivists.
Price, L.O. (2002). In the black: Ink-like photo-reproductions on tracing cloth. The Book and Paper Group Annual, 21, 25-30.
Price, L.O. (2010). Line, shade and shadow: The fabrication and preservation of architectural drawings. New Castle, DE: Oak Knoll Press.
Reed, J., Kissel, E. & Vigneau, E. (1995). Photo-reproductive processes used for the duplication of architectural and engineering drawings: Creating guidelines for identification. The Book and Paper Group Annual, 14. Retrieved from: http://cool.conservation-us.org/coolaic/sg/bpg/annual/v14/bp14-05.html
Verheyen, P., Davis, C., & Olson, D. (2003). Storage of architectural materials at the Syracuse University Library. The Book and Paper Group Annual, 22, 131-136.
Office Reprographics
Batterham, I. (2008). Office copying revolution: history, identification, and preservation. National Commonwealth of Australia: Library of Australia.
Bureau, W.H. (1977). Copying/duplicating methods through the years. Graphic Arts Monthly (Dec. 1977), 76-79.
Norville-Day, H. (1994). The conservation of faxes and colour photocopies, with special reference to David Hockney's home made prints. In Modern Works, Modern Problems? Conference Papers, 660-72. Alison Richmond (Ed.), England: Institute of Paper Conservation.
Rhodes, B.J. & Streeter, W.W. (1999). Before photocopying: The art and history of mechanical copying, 1780-1938. New Castle, DE: Oak Knoll Press.
Subt, S. (1987). Archival quality of xerographic copies. Restaurator, 8(1), 29-39.
Sung, C. H. (1982). Archives & manuscripts: Reprography. Chicago, IL: Society of American Archivists.
Teper, J.H. (2007). Popular 20th century office reprographic processes: a guide to identification and preservation. Collections: A Journal for Museum and Archives Professionals, vol. 3 (1), 7-32.
Tyrell, A. (1972). Basics of reprography. London, England: Focal Press.
Adelstein, P. Z. (1987). From metal to polyester: History of picture-taking supports. In Ostroff, E. (Ed.), Pioneers of photography: Their achievements in science and technology (pp. 30-36). Springfield, VA: SPSE–The Society for Imaging Science and Technology.
American National Standards Institute (ANSI). (1988). American National Standard for Imaging Media-Photographic Processed Films, Plates, and Papers-Filing Enclosures and Storage Containers. No. ANSI IT9.2-1988. Retrieved from: https://law.resource.org/pub/us/cfr/ibr/001/aimm.it9.2.1998.pdf
Baldwin, G., & J,rgens, M. C. (2009). Looking at photographs: A guide to technical terms (Rev. ed.). Los Angeles, CA: J. Paul Getty Museum.
Banks, P. L. (2000). Environment and building design. In Preservation: Issues and Planning. Chicago, IL: American Library Association.
Benson, R. (2008). The printed picture. New York, NY: Museum of Modern Art.
Bigourdan, J.-L., & J. M. Reilly (2002). Effects of fluctuating environments on paper materials–Stability and practical significance for preservation. La Conservation l're du NumErique, Actes des QuatriEmes JournEes Internationales d'tudes de l'ARSAG, Paris, France: Association pour la Recherche Scientifique sur les Arts Graphiques. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/305
Coe, B. (1978). Colour photography: The first hundred years 1840-1940. London, England: Ash & Grant.
Coe, B., & Haworth-Booth, M. (1983). A guide to early photographic processes. London, England: Victoria and Albert Museum in association with Hurtwood Press.
Conservation Center for Art and Historic Artifacts (CCAHA). (n.d.). Historically black colleges and universities (HBCU) photograph preservation project. Retrieved from: http://www.ccaha.org/hbcu
Coote, J. (1993). The illustrated history of colour photography. Surbiton, England: Fountain Press.
Duffy, P. (Ed.) (1983). Storing, handling and preserving Polaroid photographs: A guide. Boston, MA: Focal Press.
Eaton, G. T. (1985). Conservation of photographs. Rochester, NY: Eastman Kodak Company.
Feldman, L. H. (1981). Discoloration of black-and-white photographic prints. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (188-205). Los Angeles, CA: Getty Conservation Institute.
Gernsheim, H., & Gernsheim, A. (1969). The history of photography from the camera obscura to the beginning of the modern era. New York, NY: McGraw-Hill.
Gill, A. T. (1978). Photographic processes, a glossary and chart for recognition: Museums association information sheet. IS No. 21. London, England: Museums Association.
Hendriks, K. B. & Lesser, B. (1983). Disaster preparedness and recovery: Photographic materials. In D.H. Norris & J.J. Gutierrez (Eds.), Issues in the Conservation of Photographs (53-57). Los Angeles, CA: Getty Conservation Institute.
Image Permanence Institute. (2007). A consumer guide for the recovery of water-damaged traditional and digital prints. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. Retrieved from: https://www.imagepermanenceinstitute.org/webfm_send/314
Image Permanence Institute. (2010). A consumer guide to materials for preservation framing and display of images. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology.
ISO. (2002). 18902 Imaging materials–Processed photographic films, plates and papers–Filing enclosures and storage containers. Geneva, Switzerland: International Organization for Standardization.
ISO. (2007). 18916 Imaging materials: Processed imaging materials–Photographic activity test for enclosure materials. Geneva, Switzerland: International Organization for Standardization.
Krause, P. (1985). Preservation of Autochrome plates in the collection of the national geographic society. In Norris, D.H. & Gutierrez, J.J. (Ed.), Issues in the conservation of photographs (496-511). Los Angeles, CA: Getty Conservation Institute.
LavÈdrine, B. (2003). A Guide to the Preventive Conservation of Photograph Collections. Los Angeles, CA: Getty Publications.
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