This moving image and/or audio format type consists of a plastic disc encasing a dye or metal layer containing the encoded information. This format type is read by a laser.
LaserDiscs are subject to mechanical and surface contaminants. Scratches and dirt can drastically affect laser performance, as playback equipment can become misaligned and mistracked. Additionally, LaserDiscs do not have some of the error correction technology that later optical media have, and they are much more sensitive to damage.
Inherent vice also affects LaserDisc. Some manufacturing defects adversely affect the lifespan and playback quality of the discs. Discs may succumb to surface crazing, where the surface of the discs exhibits a milky white, lattice, or spider web-like pattern. Crazing can indicate that the seal that protects the inner aluminum signal carrier has broken, making the inner core vulnerable to oxidation. Oxidation is also known as laser rot, a process through which the aluminum loses its reflectivity and the quality of the playback signal degrades. Oxidation of the delicate aluminum can render the signal irretrievable.
The earliest forms of LaserDisc (e.g. DiscoVision) may require proprietary playback equipment. Since LaserDisc players are long obsolete and most used players are over twenty years old, playback may be hindered by mechanical failure and/or track or laser misalignment. Track misalignment can degrade the quality of the playback signal and can introduce crosstalk; laser misalignment can cause signals from contiguous tracks to bleed into the track being played.
LaserDiscs only hold a maximum of 55 minutes of data (depending on the type of disc). As such, discs may be double sided. Data-rich content for feature-length films may be recorded on several discs. During playback, users must manually change discs or flip the disc over in order to continue accessing the material.
Ideal | Acceptable | |
---|---|---|
Temp. | 45–54°F (7–12°C) | 55–68°F (13–20°C) |
RH | 30–50% RH |
Most CD damage is incurred through poor storage and handling. Surface scratches, gouges, and smudges can inhibit playback of the disc. There may be some inherent vice within the materials used to create CDs, but signal loss due to inherent vice is not as frequent in newer CDs. If the seal encasing the aluminum recording surface is somehow compromised, the aluminum layer can oxidize, resulting in data loss. This deterioration is colloquially referred to as "disc rot" or "laser rot." Indications of disc rot include: pin-sized holes in the reflective layer, a bronze coloring on the non-labeled side of the disc, and crazing. Crazing can be seen in snowflake-like or fractal-like milky-white patterns on the disc. Crazing typically only affects early CDs because as manufacturing processes improved, the issue became less of a problem. Scratches on the label side of CDs can also affect playback, since CDs are relatively thin and composed of a single layer of reflective aluminum encased in polycarbonate. Any discs that exhibit these signs of deterioration should be error checked and/or replaced.
Data on CDs, especially non-replicated, recordable/rewritable CDs, is subject to loss over time. All optical media carriers should be regularly error checked for data degradation.
Recordable and rewritable CDs contain a dye layer that can cause numerous problems like signal loss and failure due to several factors. The quality of the recorded signal relies on the interaction of the individual burner, the medium, and the individual player. Discs recorded at higher speeds tend to use less dye when encoding the signal, which can result in its long term failure.
In order to slow data loss, all optical media should be stored in cool, dry, and dark conditions.
Playback equipment and media are still readily available for this format. Recordable discs, especially those recorded at high speeds, may have significantly shorter life spans than commercially replicated discs.
Optical media should not be considered an archival format due to the high cost of maintenance and error-checking. Recordable discs may be appropriate as a temporary solution for smaller institutions that have a collection of compact cassettes in need of immediate reformatting and that are under funding restraints. However, transfer to optical media should not be considered the final stage for this type of archival preservation.
Although all CDs look the same, there are several different formats: CD+G (Compact Disc plus Graphics), CD-I (Compact Disc-Interactive), CD-R (Compact Disc-Recordable), and CD-RW (Compact Disc-Rewritable). These formats may require specific playback equipment (e.g. CD+G), playback equipment that supports delivery of both audio and video content (e.g. CD-I), and/or equipment that can read discs written at lower/higher spin speeds. Depending upon when they were created and the capabilities of the disc writer, CD-R and CD-RW may not be playable in all CD players or CD-Rom drives.
Differing CD formats and technical considerations are detailed in various "color book" standards (see Color Standards below). Compact Disc Digital Audio (CDDA) conforms to the Red Book Standard, which specifies a number of technical aspects, including maximum playing time (74 minutes).
Ideal | Acceptable | |
---|---|---|
Temp. | 45–54°F (7–12°C) | 55–68°F (13–20°C) |
RH | 30–50% RH |
"Rainbow Books" (or, "Color Books") are a collection of compact disc format specifications, which are licensed by Philips. They are technical standards for CD and CD-ROM formats that are outlined in a set of color-bound books.
Basic specifications include:
Color Standard | CD Format |
---|---|
Red Book (1982) | CDDA (Compact Disc-Digital Audio) |
Green Book (1986) | Standard for CD-I discs. This standard not only specifies data and disc elements, but also defines hardware and operating platform. This format is designed to operate with televisions and stereo systems. |
Yellow Book: Mode 1 (1988) | CD-ROM data with Logical Error Correction Code (LECC); will allow virtually all PCs to access its data |
Orange Book (1990) | Standard for CD-R discs. Allows discs recorded on CD-Rs to be read by standard CD-ROM and audio drives. |
Yellow Book: Mode 2 (1991) | CD-ROM data (without LECC); allows for more content to be written to the disc. CD-ROM/XA, Bridge discs (including Photo CD, Karaoke CD, and Video CD), and Green Book, or CD-I, fall under the Mode 2 standard of Yellow Book. These discs generally require specialized playback equipment. |
White Book (1993) | Video CD standard. Due to storage space limitations and other issues, this format has largely been replaced by the DVD. |
Blue Book (1995) | A subset of the Orange Book standard. Designed to support multi-session disc playback in standard CD-Rom and audio drives. |
Ideal | Acceptable | |
---|---|---|
Temp. | 45–54°F (7–12°C) | 55–68°F (13–20°C) |
RH | 30–50% RH |
Most DVD damage is incurred through poor storage and handling. Surface scratches, gouges, and smudges can inhibit playback of the disc. There may be some inherent vice within the materials used to create DVDs, but signal loss due to inherent vice is not as frequent in newer DVDs. Scratches on the label side of commercially produced DVDs are less damaging than they are to CDs, as DVDs have an extra layer of polycarbonate that protects the metallic recording layer within the disc. All optical media should be stored in cool, dry, and dark conditions.
Data on DVDs, especially non-replicated, recordable/rewritable DVDs, is subject to loss over time. All optical media should be regularly checked for data degradation.
A DVD relies on the interaction of the individual burner, the medium, and the individual player. Discs recorded at higher speeds tend to use less dye when encoding the signal, which can result in its long term failure.
Playback equipment and media are still readily available for this format. Recordable discs, especially those recorded at high speeds, may have significantly shorter life spans than other discs.
Optical media should not be considered an archival format due to the high cost of maintenance and error-checking. Recordable discs may be appropriate as a temporary solution for smaller institutions that have a collection of compact cassettes in need of immediate reformatting and that are under funding restraints. However, transfer to optical media should not be considered the final stage for this type of archival preservation.
Ideal | Acceptable | |
---|---|---|
Temp. | 45–54°F (7–12°C) | 55–68°F (13–20°C) |
RH | 30–50% RH |